The CW: TV To Talk About

It's officially here, the 2009-10 Fall Season has begun and thanks to The CW, it's started in style. As someone who over the past few years has slowly realised that The CW is a network which although aimed at a quite specific demograph, they unusually, managed to capture the minds of many, many more.

They may be the only network with original programming which is

constant, which may not get the highest ratings but also delivers with the biggest buzz and gossip. Maybe thanks to the many years of hard work put into it, pre- CW, it finds itself in a pretty good position.

The network features a lineup of shows that, according to its President of Entertainment, Dawn Ostroff, "appeal to women 18 to 34-years-old." It has styled it's viewer, which may

not come as a surprise to many since the majority of its show are about exactly that: style. Money, sex, glamour, scandal; these are just some of the keywords that come to mind when describing some of the best rated shows on the network. Shows like One Tree Hill, Gossip Girl and 90210, have revived the teenage drama (not since the days of Beverly Hills 90210, Dawson's Creek and The OC) have such shows managed to capture the minds of so many and yet, according to Nielsen, so few!

It therefore doesn't surprise many that their shows do so well thanks to modern day technology, if their demographic is as they say it is, it's those people who use computers,

mobiles and mp3 players in the day to day life. They have never had to live without them, they stream, they download, they email, they recommend, they instant

chat, they record, they do pretty much everything but sit down on the sofa in prime time and watch. Their lives are too fast paced for schedules, they need options, watching on the go. Knowing they can travel to school, to work or to the shops with a copy of the latest episode on their iPods to be watched at their leisure. In the time of PVR's where television can be

recorded without a videotape, it is up to the viewer when they watch the show and therefore despite Nielsen Ratings being quite low for primetime, they don't take into account the fact that Gossip Girl is now the most downloaded programme in the world. They don't take into account that thanks to the internet, people all over the world stream before it's even hit their television screens, people don't want to wait, they want it now and if they can, they want it free.

That is why The CW have it so right. As I said before, they have consistency, ABC, FOX, NBC, CBS, HBO and Showtime, they all may have brilliant shows that we all watch, they may in fact have award winning, ratings winners but they don't quite create the media buzz that The CW shows do. That's because people, all people, pick and choose, there isn't a strict demographic per network, rather per show, some may watch three or four shows from ABC, two from FOX... you get the picture. Many people who watch The CW, watch the majority of it's original output.

Now, I just want to look at it's demograph, first they say they are aiming towards females... where does that leave the guys? Watching Desperate Housewives on ABC? American Idol on FOX? Perhaps I'm being biased, probably, the networks do present shows with a strictly male demographic as well, but well, how can any studio executive exclusively say they want a certain gender watching? I watch Desperate Housewives, Grey's Anatomy, Brothers & Sisters (shows which many may feel are slightly girly) but on the same hand I watch 24, House, LOST, Dollhouse (shows which many would see as more action, bulky, maybe aimed more at men)

and therefore perhaps networks are forgetting the middlemen, the people who are actually the cross section of television watchers, the TV fiends maybe (I would classify myself as

one!). I'll take a hint of Bree, mixed with Jack and top off with a bit of Serena anyday.

Perhaps, any given network needs to look at itself and understand a little more about the people that watch rather than the statistics?

Look at the new Fall schedules, FOX for example, what is the connection between The Simpsons, House, Glee and So You Think You Can Dance... apart from Glee and Dance having the music aspect, I don't see very much. Look any most other networks, there doesn't seem to be any keywords to describe what the network is presenting, but look at The CW and the story changes.

The CW	8:00 p.m.	8:30 p.m.	9:00 p.m.	9:30 p.m.
Monday	One Tree Hill		Gossip Girl
Tuesday	90210		Melrose Place
Wednesday	America's Next Top Model		The Beautiful Life: TBL
Thursday	The Vampire Diaries		Supernatural
Friday	Smallville		America's Next Top Model (E)

• Midseason: Life UneXpected, Blonde Charity Mafia

Once the season is in full swing, I will be watching at least seven of these shows, quite a record I think. Can you see the connection between them? One Tree Hill, Gossip Girl, 90210, Melrose Place: dramatic, sexy, scandalous. The Vampire Diaries, Supernatural, Smallville: sexy, supernatural, magical, powers... I am running out of descriptive words, but I am sure you get my point. There is consistency, there is a certain sort of individual who would enjoy everything that all these shows stand for, because at the end of the day, they are all the same. Now, maybe some would argue that this is boring, they want something different everynight, they want to be surprised, they are actually the minority. The CW cater for those in need of a guilty pleasure fix, they provide what the shows stand for. Teenagers and adults a like who for an hour or so everynight want to get away from their mundane lives and see what the rich live like, how vampires live, how models live: the beautiful people. Many of the stars throughout The CW shows are pin ups, they scream sex appeal, the women and men a like. Perhaps with their newest offering, they only back up that point.

Next time you are watching a CW show remember you are watching a show which is starting to represent your peers. Teenagers with their raging hormones may not go out partying and having sex all the time in real life, it's just not practical, but within the boundaries set by the network, its just normal life. They are fun, dramatic, erotic, imaginary but best of all stylised towards the viewer, not just the females but also men throughout the world enjoy watching shows like Gossip Girl, maybe they get something different out of the show to girls,

maybe they want to be cool like Nate or they just want to watch because Blair is so sexy, but at the end of the day, people are watching. Fans are growing for these shows, there is no use hiding

from it.

90210: The second season of the recently updated show returns to Beverly Hills with a bang. After the amazing season finale earlier this year, Anne is trying to deal with her hit and run, internalising everything. While the rest of the characters finish summer school, thanks to Annie phoning the police on Naomi's post prom party and try to enjoy what is left of their summer. To the beach club, where all the characters apart from Annie are hanging out because money doesn't matter, we can afford

it, darling. Swimming, lying on the beach, sex in a cabana, it's all in a days work and at the end of the day, it's scandal as they return to high school and Naomi has two things on her mind, Liam (last seen being dragged off to Army School) and bringing down Annie (who Naomi thought slept with Annie). This season promises to be as juicy as the previous with new characters including Teddy (who has already caused a stir and looks to be part of the bigger story about the hit and run).

Melrose Place: Another revamp from the 90210 world, this time, set around the apartment block which always promised scandal and suspense. For those who are just starting this world from the 2009 series, may not get the references to older characters from the original series,

but they are cleaned up rather quickly with the death of a major character from the original series, which is becoming the major story line for the first half of this season.

We meet the residents of the Place and see their everyday lives. With a soap style noir seeming to be going on, Melrose looks to be just as big as 90210, with a murder storyline as well as all the secrets that all the characters have.

The Vampire Diaries:

One of this seasons newest shows, based on the books by L.J. Smith, it centres around Elena Gilbert and two vampire brothers, Stefan and Damon, good and evil, fighting for her heart and her soul. Some say this is Twilight for TV but after watching the Pilot, I think this has potential for being darker, more violent and more erotic. It's nice to see Ian Somerhalder back (many will recognise him from LOST where he played Boone) as the dark Damon. This show seems to have an idea of how it wants to treat vampires, not quite as deep as Buffy did, exploring the vampire history, but perhaps giving the vampires back their myths which Stephanie Meyer took away for her series. I look forward to seeing what happens.

The Beautiful Life: I am looking forward to this one starring Mischa Barton (in her first television role since the death of Marissa in The OC). The life of a high-fashion model appears glamorous and sexy, but behind the beautiful façade is a world of insecurity and cut-throat competition. Two teenage models, Raina Marinelli (Sara Paxton, “Last House on the Left”), a stunning beauty with a secret past, and Chris Andrews (Benjamin Hollingsworth, “The Line”), a strikingly handsome Iowa farm boy, living together in a “models” residence in New York, are about to discover this world for themselves. (From The CW press release). Also starring Corbin Bleu looking much more grown up since High School Musical and executively produced by Ashton Kutcher, this looks like a show which has a great idea, let's just see how they execute it.

Gossip Girl: The show gets more and more explosive every year. After the brilliant Season Two finale where the characters thought they would finally be getting away from Gossip Girl (narrated by the amazing Kristen Bell), she tells them that due to Serena's meddling in all affairs Gossipy, they would have the scandal commentator follow them through college (probably the only way to carry the show on as the characters had to leave High School at some point). What did Serena do over the Summer? (From the looks of the trailer, Carter Baizen), is Chuck remaining faithful to Blair?, what is Georgina (the character everybody loves to hate) doing back and staying?, what about Nate and his new girl (played by Joanna Garcia)? and why is Georgina kissing Dan? WTF, watch this fall to find out!

UPDATE: The debut of The CW's THE VAMPIRE DIARIES bared its fangs last night, and scored the network's largest audience EVER (4.84mil) for a series premiere, topping last year's 90210, according to preliminary live plus same day Nielsen ratings for Thursday, Sept. 10, 2009. (from http://www.daemonstv.com)

Surprise: Fox RENEWS 'Dollhouse'

UPDATED: In a stunning move, sources say Fox has renewed Joss Whedon’s “Dollhouse” for next fall.

The official announcement will not be made until Monday at the network's upfront presentation, but sources confirm a deal has been struck for another 13 episodes. Fox plans to continue the show on Fridays next fall.

The low-rated series was last seen given up for dead by the media in a field somewhere.

But the show's DVR numbers are huge (averaging a 40% bump), online streaming is strong. It’s a sci-fi show, which tend to bring in strong ancillary revenue such as DVD sales for sister-company studio 20th TV. And it’s said that Fox execs rather like the series, especially the latter half of the season. Besides, a show airing in the fall on Fox is a bit like running in midseason on most networks -- it’s not the network's strongest part of the year and maybe ... maybe ...

All right, fine.

The move is tougher to explain than most, especially based on the show's ratings. A “Dollhouse” pickup is a shock, an underdog comeback that blows away NBC’s will-they-or-won’t-they hand-wringing over “Chuck” (psst, they almost certainly will). In fact, "Dollhouse" might very well be the lowest-rated in-season scripted drama to ever get a renewal on a major broadcast network. Almost certainly if based on where the show concluded -- a 1.0 among adults 18-49.

Basically this is a case of a bunch of minor decision-making factors successfully ganging up on the biggest factor (ratings). In addition to DVD sales, streaming and DVR influences, Fox received some serious budget concessions from 20th TV and Whedon to continue the show, with 20th now shouldering a greater portion of the load.

Another factor was the show's unaired 13th episode, which Whedon shot on a shoestring budget for the "Dollhouse" first season DVD set. Whedon presented it to the network as an example of how "Dollhouse" can achieve a high-quality production with a lesser budget.

The renewal also means Fox is bringing back all three of its freshman dramas for a second season -- "Fringe," "Lie to Me" and "Dollhouse" -- which is a nice boast in challenging year for broadcasters.

Along with NBC renewing low-rated "Friday Night Lights," and strongly considering modestly performing "Chuck," and the CW stations considering bringing back very weakly rated "Reaper," there's seeming trend this spring toward networks looking beyond live-viewing ratings when contemplating the fate of shows with passionate fanbases that they can monetize in non-traditional ways.

Last year, in the wake of CBS canceling fan favorites "Jericho" and "Moonlight," the sense was that vocal minorities could no longer sway the suits.

This year, cult TV shows have been like creatures in a George Romero movie; you can never trust that they're dead.

Source: THReviews

Support Joss: Tweet to Save Dollhouse Petition

It's no secret that FOX has a hard time trusting Joss Whedon when it comes to his genius mind. I mean look at what they did with Firefly! That's why it is time for the fans to be heard, it's time to get loud! So if you're a Joss Whedon fan, please pay close attention, because we need your help to save Dollhouse!
Here's how we're going to do it, in FOUR simple steps:

Step One. Leave a comment below. Tell us exactly what it is that you love about Dollhouse. It can be anything. Is it the plot, the characters, the writing style, the suspense, whatever it is we want to know! The more specific the better. We will take all of the feedback from the comments and send it to the network explaining for our fans why Dollhouse needs to see a second season (and many more after that).

Step Two. Spread the word. We want you to talk about it on twitter! Log on to your twitter account and tweet out this message (exactly as it appears):

Support Joss: Save Dollhouse. Fans get their voices heard @BuddyTV http://tinyurl.com/SaveDollhouse Please ReTweet and join the cause.

Step Three. Follow us on Twitter. Make sure you are following BuddyTV on Twitter to get all the updates on how our campaign is going.

Step Four. Download our official Save Dollhouse wallpaper. Use it as your own twitter background our wherever you choose. Your desktop, myspace, facebook, anyplace you can think of!



We need to hurry! Even though last week's episode gained ratings, it wasn't enough. Dollhouse's fate lies in our hands. We are coming to the final episode and Execs will be making their decisions soon.

From BuddyTV

Susan Boyle on Britain's Got Talent or Don't judge a book by it's cover???

So, little less than a week ago, another reality show, another ITV Simon Cowell brain baby, 'Britain's Got Talent' started it's third series. After last years winner, George Sampson, dancing onto kid's television and straight off rather quickly (with his debut single entering the chart at 30 and slowly disappearing), I again was unsure how to approach this seemingly apparent way to make money, get ratings and to perhaps give Cowell yet another ego boost- Oh! did I forget to mention Cowell's underlings? Amanda Holden and Piers Morgan, this seems like nothing other than a orgy of fun where the only celebrity endorsements are those with bad press and arguments. And finally not forgetting ITV's golden boys, Ant & Dec, just another show where ITV can plug them- show that all the money that is being spent on them is going to good presenting.

Anyway, you may be able to tell that I am rather disinterested in Britain having any talent, disinterested in the fifteen minutes of fame and disinterested in the Royal Variety- maybe the point is to start at home, to clean ourselves up and out of this rut we find ourselves. I don't mean about some of the talentless baboons our country and others push onto the rest of the world but instead the education some find themselves in or for that matter uninterested in, the financial status we find ourselves in... any of this ring bells with anyone???

Susan Boyle, 47 was a prime example of judging a book by it's cover, which of course we are told at the primary never to do. Read the back, take a ponder at the first few pages but never just look at the mundane picture at the front. This was exactly what the audience of last week's 'Britain's Got Talent' did... did I say audience, I meant the three judges as well. These celebrity judges are meant to uphold the standards by which we are meant to live, we see them in the newspapers, we see them on our televisions, we follow their dramatic lives and we try to replicate what we see- these people enforce our dominant ideologies of the country and culture we live in today and therefore when Susan Boyle came onto that stage, the cheeky chappies offstage were grinning larger than the Cheshire cat and Simon, Amanda and Piers looked just about ready to click their buttons to reprimand this woman for wasting their time and wondering what she is doing on stage, let alone our television sets. A yet something wonderful happened, after quite enough laughter from those in the room, Susan opened her mouth and out came the most wonderful voice, 'I Dreamed a Dream' from Les Mis ripped through the room and literally the mouths of everyone dropped, from laughter to applause to three 'yes's' from the judges.

Susan became an overnight sensation and her fame spread by links posted on the Twitter website, including praise from celebrity couple Ashton Kutcher and Demi Moore. When told about this Boyle was said not to have heard of Kutcher and although recognised the name 'Demi Moore' knew little about her but thanked them for their support. The video has also attracted the attention of Hollywood actress Drew Barrymore. Following her performance on Britain's Got Talent, Boyle was a guest on STV's The Five Thirty Show.She was interviewed via satellite on CBS's Early Show and ABC's Good Morning America, and via a telephone interview on FOX's America's Newsroom. In an interview, Simon Cowell said Boyle had received an invitation to appear on The Oprah Winfrey Show and predicted that if she did appear "there's every chance Susan Boyle will have the number one album in America".


The most popular YouTube video submission of her audition garnered nearly 2.5 million views in the first 72 hours. As of April 17, 2009, the video had been viewed more than 20 million times, making it the most viewed video of the month worldwide.

Commenting on the audience's reactions before she started singing, Boyle stated:

“	Modern society is too quick to judge people on their appearances. ... There is not much you can do about it; it is the way they think; it is the way they are. But maybe this could teach them a lesson, or set an example.	”
—Susan Boyle, The Washington Post

After Boyle's performance, Holden stated:

“	I am so thrilled because I know that everybody was against you. I honestly think that we were all being very cynical and I think that's the biggest wakeup call ever. And I just want to say that it was a complete privilege listening to that.	”
—Amanda Holden, Britain's Got Talent

And so, here I suppose is my point- how wonderful it is to be able to see something with genuine talent, who hasn't pushed herself into the limelight and people's face and who has lived a steady and blanketed life practising what she loved. Then one day, she surprises people and suddenly has acclaimed international stardom. Where are the other Susan Boyle's for today- those people who show a little glimmer of hope for humanity and that through solidarity and living a life not consumed by celebrity and leisure, one day your dreams may come true.



Susan Boyle Stuns Crowd with Epic Singing - Watch more Funny Videos

Dollhouse News: Episode 13 not airing

'Dr. Horrible’s', Felicia Day twittered earlier, ""Man, day getting worse and worse. Found out my Dollhouse ep, #13 isn't gonna air. Only on DVD. Such a great part too. Thx Fox. :( ..."

And so the story begins... or shall we say ends? Cleverly annoying network, FOX has decided to cut the 13th episode, "Epitaph One" directed by Whedon from the first season of Joss Whedon's 'Dollhouse', leaving Day's appearance to be scattered into the pile of DVD extras or online bonuses.

The 'Dollhouse' closer airs May 8, titled "Omega," and represents the show's 12th episode aired.

Reps from the 20th Century Fox studio and from the network declined to comment, but sources say the network has a different point of view on this news.

Many are arguing that FOX's entire season order was filled as the original pilot was never aired, another of the network's fantastic decisions (another nail in the coffin) and so therefore with the network's retooling, Whedon reshot the pilot. Therefore, the argument is that if "Epitaph One" airs it's almost as if the studio are paying for 14 hours instead of original 13.

Sources say the story in the "Omega" season finale is more or less Whedon's original vision for how the season would end, so fans watching the show should have some degree of closure.

Except fans of the show (including myself) are now thinking, there is yet another episode out there which won't get shown on television- despite the slowing increasing numbers in the ratings.

All parties, including the nuturing FOX, have insisted this is not the cancellation of 'Dollhouse' though the network declining to air an episode isn't encouraging. The most recent episode of 'Dollhouse' earned a 1.5 rating among adults 18-49, with companion 'Terminator: The Sarah Connor Chronicles' pulling a 1.3. Sources say the odds of 'Terminator' surviving are pretty slim, but the closed-door verdict on 'Dollhouse' is not in yet.

Producer Tim Minear, says the episode will definitely be on the DVD and confirms FOX's "we're gonna count the scrapped pilot" stance: "Okay. So maybe I can help clarify this somewhat. Because we scrapped the original pilot -- and in fact cannibalized some of its parts for other eps -- we really ended up with 12 episodes. But the studio makes DVD and other deals based on the original 13 number. So we created a standalone kind of coda episode. Which is the mythical new episode 13. The network had already paid for 13 episodes, and this included the one they agreed to let us scrap for parts. It does not include the one we made to bring the number back up to 13 for the studio side and its obligations. We always knew it would be for the DVD for sure, but we also think Fox should air it because it’s awesome."

"Omega" finale description: "Alpha's reign of terror continues as his obsession with Echo endangers Caroline's survival. Ballard must make a life-changing decision, and one Doll is permanently deactivated while another's shocking past is revealed."

To see 'Dollhouse' not come back for a second season would be a catastrophe, rumours say that production costs would be less as sets are already built and despite a slow start, a following for this show has already begun and recent episodes have shown strong numbers because the show is finally starting to explore some of it's inherent mythology. The thing about 'Dollhouse' and the reason why the Network and unaccepting fans wouldn't give the show a chance is because it's new- it was trying to find its feet and explore slowing, giving time for an audience to build and for us to be able to care about the characters. Let this not turn into another cult classic from those FOX people like the amazing 'Tru Calling' or 'Drive'.

If you have feelings about the last episode not being aired, check out:

DollVerse

Further articles can be read here (via @foxbroadcasting) :

HitFix

E! Online

The Hollywood Reporter

Dollhouse Episode 2- The Verdict

So two weeks into Joss Whedon's new sci-fi turn drama 'Dollhouse', what have we learnt exactly? Well we know that any amount of meddling on FOX's part in the creation process puts the show back a week (thanks to the ordered rescripting of the pilot), we know that a lone FBI agent is on the trail of the Dollhouse and we know that Eliza Dushku can really kick ass, although didn't we know that before?

Many fans of Joss remember the days of 'Buffy' and 'Angel' when between some decent vampire butt kicking there would be plenty of wit and punch from the fellow 'Scoobies'. But that doesn't seem to be the way of the 'Dollhouse'. Instead, some may view the show as an easy way for Dushku (who plays the heroine, Echo) to dress up each week in a different costume and a different character, seemingly wasting our time with lovely organised stories which may as well have been individualised to each episode.

There may, even, be very little reason to care for Echo and her predicament, along with the rest of the 'Dolls' but I was captured by the pilot (despite the bias of being a previous Joss fan) and thankfully episode two showed the beginning of a developing story, something which may in the end give back to the audience what they are craving for.

In recent seasons, the serial has taken a bad slapping across the face with a fish. Shows like Heroes have lost viewers and despite several attempts at starting again (after the disruptive WGA strike last year), it just hasn't returned to the former sci-fi royalty was it of Season One. Lost has returned with Season Five, bigger and better than ever but it wasn't until there was a definite ending that the writers pulled themselves together and finally started moulding a story which could, and I use the next word with both hands tied behind my back, easily! Although after recent episodes JJ Abrams and the gang seem to be moving away from sci-fi and more towards pure science.

So it lands upon Joss Whedon's door to return the sci-fi serial to the popularity it once was, hopefully after nearly a decade of vampireverse we would hope he had learnt something. 'Dollhouse' serves two sorts of audience, sci-fi friendly in regards to the history of the Dolls but also fans of action drama (think 24 mixed with Quantum Leap) with lots of guns, running and shouting.

Episode Two saw flashbacks starting to come back to Echo, what of her past and how did she get to the Dollhouse? But so many other questions arise in my mind, like how do they get the memories of those people they use as imprints, why did the Alpha goes on a rampage and who else knows about the Dollhouse? Cleverly Joss does the exact opposite to that of the pilot, where we saw emptiness in the character, Episode Two saw some emotion (when Echo tells Boyd to trust her), something behind the character and the repercussions that Echo is having throughout the company. So please, writers, lets have more of that.

Hopefully over the next few episodes, the charm of the Whedon program (especially 'Buffy' and the recent 'Dr Horrible' come to mind) comes to light and he will return to the top of the TV charts with a much needed, well missed, good quality sci-fi show.

The Simpsons New Titles???

So has anyone else seen the new titles for the 'recently switched to HD' Simpsons? If not, they go a little something like this...



So what do you think? Personally, after 20 years, if something ain't broken there is no need to fix it. The original titles were iconic and one of the remaining specialties of the show but since the ratings dive, have FOX latched on that things need to change? I hear most of you commenting that mostly the new credits are the same, but my problem is, they are so much clearer! Yes, that should be better but it just seems that the show is going further and further away from it's traditional, original roots. The show that was always known for breaking boundaries has now given in as it used to be one of the last remaining shows with a continuous title theme but not anymore.
Let's just hope the quality of the writing has started to improve as well...

What deserves to go? Cancellation 2008 (+ How the Half Hour Sitcom Returns)

It's that time of year again, although it seems that some of the biggest names are in for the chance of a lifetime, to be cancelled.
After scrolling through the latest numbers, the viewing public are changing their methods. Instead of watching the weekly serials, where we must watch each episode to understand the story, instead don't have enough time. Or is that the case? Is it actually the fact that television is dumbing down, do we prefer to watch the half hour sitcom where we actually get 20 mins of comedy and 10 of commercials?
With numbers for the recent, 'How I Met Your Mother' reaching an all time high (9.8 Million viewers) and Heroes with it's matched low from last week (7.6 Million), this really begs the question, what are we turning the watch?
As an avid viewer of The CW's 'Gossip Girl', I was surprised to see that the recent Thanksgiving episode, 'The Magnificent Archibald's' got the lowest rating for this series, with just under 3 million and The CW's misery does not stop there, 'One Tree Hill' has been slipping under the strain of the half hour sitcom as well.
After the recent news that NBC's new drama, 'My Own Worst Enemy' staring Christian Slater has been cancelled after only nine episodes, although NBC has not officially annouced this (they prefer not to admit they failed). But the drama came over whether 'Lipstick Jungle' is cancelled. Variety initially cited sources as saying Lipstick was done, but nothing ever officially came down from NBC.
New York Time Report-
"As of this week, the show is breathing again. The reason: it showed signs of life this past Friday, and it picked up 50 percent more viewers when delayed viewing (from DVRs and other devices) was included in the episode a week earlier.
The show also received an outpouring of support from fans.
Ben Silverman, the co-chairman of NBC Entertainment, said Monday that NBC will now definitely finish the 13 episodes that the network originally ordered -- it has 4 more episodes to run -- and may order more if the show "grows more.""
Says star Brooke Shields:
"They thought that because My Own Worst Enemy has been shut down that the same thing had happened to us, and it's not true. They're not breaking down the sets. We're still working. We still have more to do, so it's erroneously presented that we've been canceled, thank God.
Our bosses are saying, 'You're not canceled, don't worry. We're just trying to figure out how to make this make sense.'"

My eyes are currently on shows like 'Heroes', it seems with ever decreasing ratings throughout the current season, has seen the internet rife with rumours that NBC's current best friend could be shoved off.
Tim Kring has urged more people to start watching Heroes during its current season. Speaking at a recent Screenwriting Expo, he urged potential viewers to "come on in" because "the water’s fine", according to Sy Fy Portal. “You can hop on the train and you won't have missed too much," he said.
Ratings for the show have steadily decreased during the third season, prompting Kring to speculate that current viewing habits are to blame. "It's a very flawed way of telling stories on network television right now because of the advent of the DVR and online streaming," he claimed. "So [watching it] on air is related to the saps and the dips***s who can't figure out how to watch it in a superior way."
Now, is it just me or this either sarcasm or just rudeness, one way or another, something could very easily have been taken out of context, but for Kring to even say something like this, begs the question, how much is this show for the viewers.
To just invite new viewers weeks in season three? What about the loyal viewers? What about all those people who have tangled with the story of the superheroes since Season 1?

A show which has already been placed in the cancellation zone before it's even premiered is Joss Whedon's new drama, 'Dollhouse'.
Let me count the ways when it comes to Joss Whedon's 'Dollhouse' and it's cancellation:

1. Whedon already has a sordid history with FOX. Do you remember Firefly? Whedon original, FOX cancelled. Shelf life: 12 episodes (3 unaired), sometimes aired out of order (the original pilot was aired on FOX only after the show was canceled).
2. Whedon reshoots the pilot. Apparently the first one didn't make all that much sense.
3. Production delay of 2 weeks.
4. More production delays.
5. The new trailer looks intriguing, yet reveals no additional direction for the series from the old trailer. For a show being accused of being aimless, that ain't good.
6. And the killer: FOX slots Dollhouse on Fridays. It premieres February 13th at 9PM. Historically, nobody watches show on Fridays unless they're CBS crime procedurals. Recent Friday deaths: Moonlight, The Ex List, Lipstick Jungle (maybe?). Also soon to be dead: Crusoe. There you go, decide what you will but it seems FOX are in no way happy to extend the relation with Whedon longer than they have to.

Another show rumoured to be coming to an end is the FOX baby, 'Prison Break'.
According to The Hollywood Reporter, cast and production members from Prison Break have been told by FOX that they may be filming an additional two episodes this season, but it may come with a huge catch.
They also report that those extra two episodes may serve as a series finale...yep, a series finale.
The idea behind the logic starts with Prison Break's ratings, which are down (surprise!), but also includes the fact that Prison Break was not placed on Fox's recent midseason schedule (House and 24 will be moving to Mondays, and Terminator: The Sarah Connor Chronicles was ostracized to Fridays, is that a sign?).
Prison Break is routinely one of those shows that is on the bubble when it comes time to cancel shows, but its ardent fan base has kept it afloat.
However, the two episodes could serve as a non-series-ending "event" (like 24: Redemption) that would air later, or could be DVD extras. It's all quite confusing at this point.
Again, this is all conjecture at the moment.

And 'Pushing Daisies', remember the show that was going to change the face of fantasy television forever?
The facts are these: Things aren't looking good for our beloved Pushing Daisies. The ABC drama, once cherished as a breath of fresh air in another monotonous television season is now surrounded by the putrid stink of death.
Production on the show's initial 13-episode order wraps up today, and guess what...ABC still hasn't ordered more from the Pushing Daisies producers.
According to TVWeek.com, ABC spokespeople have stated that no decision has been made yet on Pushing Daisies, but all signs point to "see ya, wouldn't want to be ya!"
Ratings for Pushing Daisies have declined dramatically from its debut season, despite the fact that the quality of season two seems to be on par with season one. Many blame the writers' strike, which shortened season one and left ABC to decide between bringing the show back for a few episodes late last year, or take a break and bring it back full-force for a reintroduction this season. ABC chose the latter, and it's believed that the plan backfired.
So what's the plan if Pushing Daisies is canceled? Well, it's good news for Heroes, oddly enough. The incredibly talented creator of Pushing Daisies, Bryan Fuller, told EW.com that he would be open to returning to Heroes, where he worked on season one (not coincidentally the show's finest season by far, although with Heroes current state, I would question that).
"I am exclusive to Daisies through the delivery of the 13th episode of our 13-episode order, which will be mid-January," Fuller told EW.com. "If Daisies isn't picked up by then, I will definitely be going back to play with my friends at Heroes."
Fuller also said that should Pushing Daisies get wiped off the face of television, he would like to finish the story in graphic novel form. Just keep the bright colors and witty dialogue, please, and let Chuck and Ned get it on for Pete's sake!
Mourn with us, Pushing Daisies fans. And for those who can't get enough Daisies, I highly recommend checking out Fuller's Daisies-esque Wonderfalls on DVD. (Bonus: Lee Pace was in that too, and yeah, that was canceled before its time as well.)

FX has set return dates for original hourlong dramas "Nip/Tuck" and "Damages."
"Nip/Tuck" will begin the first leg of its sixth season on Tuesday, Jan. 6, at 10 p.m., queuing up for an eight-episode run. Series, which stars Dylan Walsh and Julian McMahon as successful plastic surgeons, is tops in its target demo of adults 18-34 among basic-cable originals.
"Damages," meanwhile, will begin its second 13-episode campaign Wednesday, Jan. 7, at 10 p.m. Series star Glenn Close is coming off an Emmy win for lead actress.

Other shows in the danger zone this season include Chuck, Dirty Sexy Money and Smallville... we will just have to see.

So to the arguement in question, the half hour sitcom seems to be doing pretty well at the moment. Dip in and out when you want, within minutes of watching an episode you understand what is happening. Samantha Who?. The Big Bang Theory. How I Met Your Mother. Would you like me to continue? Do we have the time anymore to watch serials? Can people not be bothered to wonder what is happening from week to week about Seattle Grace or The Upper East Side? Or is it simply television dumbing down? Is 20 mins of situation comedy enough from day to day... is the time span of television watchers decreasing? With the already rampid demostrations from groups telling us that television is rotting our brain, is this just another sign that really as a group of people, we just don't care. Has our emotional attachment to storylines and development of characters gone so far? Is this the point of no return?

Sources: Variety Magazine, TV.com, Sidereel.com, DigitalSpy.com